Global Warming Swindle Continues
Here we go again but this time some honest scientists who rely on data and not a false political zeal have some news about the swindle of Man Made Global warming.
Funny how for the past decade or so environmental leftists have been screaming and telling us man made global warming was real and we would all die soon unless we gave trillions of dollars to the U.N. so they could save us. If that was not bad enough the Enviro-Nazis wanted complete control of what we drove, how we ate and how much power we used in our homes. After the priests of man made global warming were exposed for the complete and utter frauds they were the left went into overdrive. People who simply questioned the sudo science that was used to determine what was supposedly harming our environment the Enviro-Nazis attacked calling people Climate Deniers and Flat Earthers somehow linking them to people who did not believe in the Holocaust or were just dense. Even though the evidence was piling up in every area of climate science against man made global warming people followed Al Gore and other Enviro-Prophets into the dreamland that they created. The earth has actually been cooling since 1998 but the sudo climate scientists refused to admit it and were caught padding data and using measuring instruments installed next to AC exhausts to make it look like earth's temperature was increasing even though record cold has been recorded globally many times. They finally realized they had been caught and as a result less and less of the general public was buying the MMGW lie so they had to act. What did they do? Well they just simply admitted the earth was cooling because of pollution in China! Yes the particulate matter injected by the smoke stacks of China is acting like a giant reflector. If this tells you anything is should be that the climatologists and other scientists who claim to have the answer to how man is affecting the climate are full of horse squeeze. The power hungry and greedy politicians and scientists who demanded our money and freedom in the name of MMGW must be investigated for fraud and extortion. We have all seen the lies pile up as they were discovered and we must not let these criminals get away with it! Click in the Read More or article title to review how these tyrants tried to suppress dissent and hide the fraud.
Alex Jones Show
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I Am Not Deceived!
THE OBAMA DECEPTION: ABOUT THE FILM
The Obama Deception Guide
A guide for viewers of "The Obama Deception" which includes links and further research about what's happening in America.
The Obama Deception is a hard-hitting film that completely destroys the myth that Barack Obama is working for the best interests of the American people.
Old Time Radio · Murder Mystery · CBS Radio Mystery Theater
CBS Radio Mystery Theater (aka Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS affiliates from 1974 to 1982. As with Himan Brown's prior Inner Sanctum Mysteries, each episode of CBS Radio Mystery Theater opened and closed with the ominous sound of a creaking crypt door, accompanied by Marshall's disturbing utterance, "Come in. Welcome. I am E. G. Marshall." This was followed by one of Marshall's other catchphrases, usually either "The sound of suspense" or "The fear you can hear." At the conclusion, the door would swing shut, preceded by Marshall's classic sign off, "Until next time, pleasant... dreams?" Marshall hosted the program from January, 1974, until February, 1982, when actress Tammy Grimes took over for the series' last season, maintaining the format. CBSRMT was broadcast each weeknight, with three or four episodes being new originals, and the remainder were reruns. There were 1,399 original episodes. The total number of broadcasts, including reruns, was 2,969. Each episode was allotted a full hour of airtime, but after commercials and news, episodes typically ran for about 40 minutes.
Audio Books And Lectures · Thru The Bible With Dr. J. Vernon McGee · 66 Revelation
REVELATION
WRITER: John the apostle
DATE: About A.D. 95
THEORIES OF INTERPRETATION:
There have been many approaches to this book, but these can be divided into four
major systems (Broadus lists seven theories of interpretation; Tragelles lists 3):
1. Preterist theory: All of Revelation has been fulfilled in the past.
It had to do with local references in John's day. It had to do with
the days of either Nero or Domitian. The view was held by Renan
and most German scholars, also by Elliott.
2. Historical theory: Fulfillment of Revelation is going on in histo-
ry, and Revelation is the prophetic history of the church, accord-
ing to this theory.
3. Historical-spiritual theory: This theory is a refinement of the his-
torical theory and was advanced by Sir William Ramsay. It states
that the two beasts are Imperial and Provincial Rome. The point of
the book is to encourage Christians. According to this theory,
Revelation has been largely fulfilled and there are spiritual lessons
for the church today. Amillennialism, for the most part, has adopt-
ed this view. It dissipates and defeats the purpose of the book.
4. Futurist theory: This theory holds that the Book of Revelation is
primarily prophetic and yet future, especially from Revelation 4 on
to the end of the book. This is the view of all premillennialists and
is the view which we accept and present.
STRIKING FEATURES:
·
It is the only prophetic book in the New Testament (in contrast to 17
prophetic books in the Old Testament).
·
John, the writer, reaches farther back into eternity past than any
other writer in Scripture (John 1:1-3). He reaches farther on into
eternity future in the Book of Revelation.
·
Special blessing is promised the readers of this book (Revelation 1:3).
Likewise, a warning is issued to those who tamper with its contents
(Revelation 22:18, 19).
·
Revelation is not a sealed book (Revelation 22:10). Contrast Daniel
12:9. It is a revelation (apocalypse), which is an unveiling.
·
It is a series of visions, expressed in symbols.
·
This book is like a great Union Station where the great trunk lines of
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prophecy come in from other portions of Scripture. Revelation does
not originate but consummates. It is imperative to a right understand-
ing of the book to be able to trace each great subject of prophecy from
the first reference to the terminal. There are at least 10 great subjects
of prophecy which find their consummation here:
1. The Lord Jesus Christ (Genesis 3:15)
2. The church (Matthew 16:18)
3. The resurrection and translation of saints (1 Thessalonians 4:13-18;
1 Corinthians 15:51, 52)
4. The Great Tribulation (Deuteronomy 4:30, 31)
5. Satan and evil (Ezekiel 28:11-18)
6. The "man of sin" (Ezekiel 28:1-10)
7. The course and end of apostate Christendom (Daniel 2:31-45;
Matthew 13)
8. The beginning, course, and end of the "times of the Gentiles"
(Daniel 2:37; Luke 21:24)
9. The second coming of Christ (Jude 14, 15)
10. Israel's covenants (Genesis 12:1-3), five things promised Israel
Old Time Radio · Murder Mystery · Inner Sanctum Mysteries
The anthology series featured stories of mystery, terror and suspense, and its tongue-in-cheek introductions were in sharp contrast to shows like Suspense and The Whistler. The early 1940s programs opened with Raymond Edward Johnson introducing himself as, "Your host, Raymond," in a mocking sardonic voice. A spooky melodramatic organ score (played by Lew White) punctuated Raymond's many morbid jokes and playful puns. Raymond's closing was an elongated "Pleasant dreeeeaams, hmmmmm?" His tongue-in-cheek style and ghoulish relish of his own tales became the standard for many such horror narrators to follow, from fellow radio hosts like Ernest Chappell (on Wyllis Cooper's later series, Quiet, Please) and Maurice Tarplin (on The Mysterious Traveler).
Old Time Radio · Westerns · Gunsmoke
In the late 1940s, CBS chairman William S. Paley, a fan of The Adventures of Philip Marlowe radio serial, asked his programming chief, Hubell Robinson, to develop a hardboiled Western series, a show about a "Philip Marlowe of the Old West." Robinson instructed his West Coast CBS Vice-President, Harry Ackerman, who had developed the Philip Marlowe series, to take on the task.
Ackerman and his scriptwriters, Mort Fine and David Friedkin, created an audition script called "Mark Dillon Goes to Gouge Eye" based on one of their Michael Shayne radio scripts, "The Crooked Wheel". Two auditions were created in 1949. The first was very much like a hardboiled detective series and starred Michael Rye (credited as Rye Billsbury) as Dillon; the second starred Straight Arrow actor Howard Culver in a more Western, lighter version of the same script. CBS liked the Culver version better, and Ackerman was told to proceed.
But there was a complication. Culver's contract as the star of Straight Arrow would not allow him to do another Western series. The project was shelved for three years, when MacDonnell and Meston discovered it creating an adult Western series of their own. MacDonnell and Meston wanted to create a radio Western for adults, in contrast to the prevailing juvenile fare such as The Lone Ranger and The Cisco Kid. Gunsmoke was set in Dodge City, Kansas during the thriving cattle days of the 1870s. Dunning notes, "The show drew critical acclaim for unprecedented realism."
